By Karin Kylander, Olof S. Kylander
Gimp: The professional guide is written by means of Gimp specialists and is the main complete resource of data on hand in this freely disbursed image-manipulation application for the Open resource neighborhood. the single publication to coach the full application, together with all integrated filters and third-party plug-ins. Beats the contest via educating this system from disguise to hide. different books gloss over key good points and concentrate on studying this system fast, or are theoretical and supply no functional details at the product. incorporates a 32-page colour Studio with inspiring photos readers can create via studying all the program's innovations within the ebook.
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Extra resources for Gimp: The Official Handbook: Learn the Ins and Outs of Gimp from the Masters Who Wrote the GIMP User's Manual on The Web
We want to release now to start working on compatibility issues and cross-platform stability. Also, we feel now that the program is actually usable and would like to see other interested programmers developing plug-ins and various file format support. 54 was released in February 1996, and had a major impact as the first truly professional free image manipulation program. This was the first free program that could compete with the big commercial image manipulation programs. 54 was a beta release, but it was so stable that you could use it for daily work.
I also added the sun (complete with lens flare) and a few clouds. REFLECTIONS The water reflection was made by flipping the image of the merged bottle to a copy of the lower part of the lake, blurring it, adding some ripples with Distort/Ripple and lowering the opacity level. The waterline (where bottle meets water) was a little trickier and had to be painted by hand in a couple of Overlay layers. Finally, some glittering highlights were created with the Sparkle filter. A white haze was added to the foreground, and, of course, so were some of Larry Ewing’s adorable Linux penguins.
LIGHT, MOTION AND TEXTURE TRANSFORMATION These special effects can provide that extra “something” to make a good image great. 32 The Gimp User’s Manual Chapter 3 AN ELECTRIC HORSEMAN To create the Electric Horseman, I started out with a photo of a rodeo rider. The horse and rider were selected with the Bezier select tool and pasted to a transparent layer in a new image. The horse’s halter, mane and tail were either cloned away or erased, and the rider was selected separately (using a little feather) and saved as a copy in another layer.