By Laurie Excell, John Batdorff, David Brommer, Rick Rickman, Steve Simon
Now that you’ve acquired that incredible new DSLR, you would like a e-book that is going past the digital camera guide to coach you the way to take these nice photographs. One key aspect is composition—the inventive association of parts within the shot, and how a viewer’s eye travels via a picture. With Composition: From Snapshots to nice photographs, writer and photographer Laurie Excell begins with the fundamentals of composition and explores how the weather of colour, form, angles, and distinction paintings to create compelling photographs. Contributing photographers, John Batdorff, David Brommer, Rick Rickman, and Steve Simon, supply precise views on black and white, activities, artwork background, and different topics relating to composition. superbly illustrated with huge, vivid images, this ebook teaches you ways to take regulate of your images to get the picture you will have at any time when you decide up the digital camera. stick to with your pleasant and an expert courses, and you'll know about:
- Key digicam beneficial properties that impact composition, together with the publicity triangle (ISO, aperture, and shutter speed)
- Shadow and light-weight and the way to direct the viewer’s eye for your subject
- Lines and shapes that create visible paths to attractions on your image
- The function of color—using complementary or contrasting colors—to upload your personal detailed inventive expression
- Spatial courting and putting your topic in the body for photographs, motion photographs, or landscapes
And as soon as you’ve received the shot, express it off! sign up for the book’s Flickr team, percentage your images, and speak about the way you use your digicam to get nice photographs at flickr.com/groups/composition_fromsnapshotstogreatshots.
Read or Download Composition: From Snapshots to Great Shots PDF
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Additional info for Composition: From Snapshots to Great Shots
Compare Compare the differences in focal lengths from a speciﬁc distance to see the coverage your lenses give you. Part 2 Using your tripod and the same lenses you used in Part 1, this time attach your longest lens ﬁrst and compose a scene with a subject that ﬁlls the frame. Next, zooming out or changing lenses to the next longest, move forward until the subject ﬁlls the frame the same amount it did with the previous lens. Continue changing lenses and moving in closer with each change to ﬁll the frame with the subject until you have used all your lenses.
I use a Hydrophobia for my camera with either the 200–400mm or the 600mm lens attached. Microﬁber cloth keeps my lenses clean and shiny. My MP-1 bag was designed by wildlife photographer Moose Peterson. The MP-1 will hold up to a 600mm with a body attached. Every bag in the MP series (MP-1, MP-3, MP-5, and MP-7) is designed to ﬁt in the overhead of the smallest commuter plane, giving me the conﬁdence that I won’t have to relinquish my camera equipment to a gate check. 22) to support my long lenses, and the Gitzo GT3541LS with the Really Right Stuff BH-55 for everything else.
13). 14). I usually set the ISO and aperture, and let the camera select the shutter speed, knowing that I have the ability to override the shutter speed by changing the aperture. 13 A Shutter Speed chart. 14 ISO 200 1/1500 sec f/8 840mm lens Fast shutter speeds stop action, freezing any movement in the process. The body position of the eagle as well as the fast shutter speed gives this image a sense of stop-action. FAST SHUTTER SPEEDS Fast shutter speeds require a lot of light, a wide aperture, a high ISO, or a combination thereof.