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57x88cm. Georgian National Museum. 24 Irina Arsenishvili Illustration 17. A. Mrevlishvili. On the Threshing-Floor. Early 20th c. Oil on canvas. 46x69cm. Georgian National Museum. Illustration 18. A. Mrevlishvili. In Front of the Office. Early 20th c. Oil on canvas. 34x45cm. Georgian National Museum. The Early Stage of Georgian Easel Painting 25 Illustration 19. A. Mrevlishvili. At the Crossroads. Early 20th c. Oil on canvas. 34x45cm. Georgian National Museum. G. Myasoedov “Uyezd Gathering in Dinner Time” (1872).

Oil on canvas. 57x88cm. Georgian National Museum. 24 Irina Arsenishvili Illustration 17. A. Mrevlishvili. On the Threshing-Floor. Early 20th c. Oil on canvas. 46x69cm. Georgian National Museum. Illustration 18. A. Mrevlishvili. In Front of the Office. Early 20th c. Oil on canvas. 34x45cm. Georgian National Museum. The Early Stage of Georgian Easel Painting 25 Illustration 19. A. Mrevlishvili. At the Crossroads. Early 20th c. Oil on canvas. 34x45cm. Georgian National Museum. G. Myasoedov “Uyezd Gathering in Dinner Time” (1872).

Mrevlishvili’s multi-figured compositions are oriented on a plane, whereas the sense of space is created by the alternation of planes and diminution of the scale of pictorial elements, gradation of colour from the foreground to the background. Unlike Russian artists, his painting is more modest. It is not characterized by the broad painterly manner of execution, the colouring is more local, and the contour drawing is expressive. At the same time his paintings are not devoid of decorativeness. The subject of Mrevlishvili’s multi-figured genre paintings is the life of Georgian peasants.

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