By Roger Moore
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Additional resources for Bond On Bond: Reflections on 50 years of James Bond Movies
There were no tantrums, no attempted negotiations. It was all extremely amicable. My friendship with Cubby outlived my time as Bond, and he told me of his thoughts of casting Pierce Brosnan in the role of 007. I said it was a terrific idea, as Pierce was an actor not unlike myself in style and looks. When that didn’t quite work out because of contractual complications, Cubby told me he was signing Timothy Dalton for three films, and I wished them both great success. The next time I met up with Pierce and Timothy was in 1995, at the memorial service for Cubby at London’s Odeon Leicester Square.
She also received a Golden Globe as ‘New Star of the Year’ for her role in Dr. No. In Fleming’s books, Bond girls always seemed to be in their mid-twenties, a decade or so younger than Jim, though in Goldfinger Fleming wrote that Bond suspected Pussy Galore was in her early thirties. An older woman? Perish that thought! BEAUTY IS IN THE EYE … Needless to say, all Bond girls are very beautiful, more often than not sporting a light sun tan, and with their eyes and mouths widely spaced – or so wrote Ian Fleming.
No! No! ’ Harry Saltzman is said to have then chosen Wiseman because of his performance in a dark 1951 movie called Detective Story. Ken Adam’s futuristic set of No’s base – and Ken’s sets are always a major contribution to the nutcase megalomaniac villain’s thoughts of superiority – featured a huge aquarium in the background of the dining room. It was described as being constructed from convex glass to give the impression of a ten-times magnification, making ‘minnows look like whales’. A classic touch was added on set when a reproduction of a Goya painting of the Duke of Wellington, which had actually been stolen in 1961, was placed on an easel next to the stairs; Bond stops to look as he passes it.