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Additional resources for Bix Biederbecke
Leslie to Ruskin. JuneWorks. 35:571-72. p. 27. 4, This passage Lindsay, op. cit, p. 138. 28 p. 25n Painters 61 Finberg, op. cit, p. > 35, p. 217. , p. p. J 1 60. 21. 5, p. Modem 20. Farington. ms. diary. Jan cit. 62 19 Edward Dayes, The Works of the Late Edward Dayes, ed Brayley (London- Mrs. , 1805), p. 352 25. 204 op. cit, 1:173. wood's. October 1843. p. 195 165 56 tions only of 118 166—67. op 1:168. eft, 57. p 19* diary. April 8. 18 13; in Finberg. op. cit. p. 78 ~2 Finberg. op. cit, 73. John Ruskin to J.
93 It has been pointed out, however, that The Blind Fiddler (fig. 15), Wilkie's major entry at the Academy exhibition, and Turner's genre scene were hung far apart, and that the furnace in The Blacksmith 's Shop puts forth the palest of yellow flames, just visible amidst clouds of smoke. Wilkie's picture, though far inferior in chromatic harmony, is stronger in color. Turner's hope of making money from genre painting was not disappointed. In 1808, the year after it was shown, The Blacksmith John Leicester.
August 7, I85 . quoted Finberg, op. cit, in 2:163 op. , 119. 69 Thornbury, op. 70. Millais. op. cit cit 2:2~5 . 11 58 . The will and other documents mentioned in tins e hapter are in the 71 archives of the National Gallery in London, unless otherwise noted. cit. 2:55. 26. May 8, 1799. 6"7 . loc. cit. 1802; quoted p. two ediBlack by 2:276 op. cit, Falk, the hrsi 364. p. Bartlett to Ruskin. cal Guide, 1796. in »2 64 65 appeared was mercilessly ridiculed Robert C. Leslie to Ruskin. JuneWorks. 35:571-72.