Download Art of RAW Conversion: Optimal Image Quality from Photoshop by Juergen Gulbins, Uwe Steinmueller PDF

By Juergen Gulbins, Uwe Steinmueller

The uncooked dossier layout utilized by electronic cameras is largely the uncooked information digicam captures whilst it takes a photograph. uncooked documents let the electronic photographer to edit and control their images with much less facts loss than in different dossier codecs (such as JPEG). there are various uncooked conversion instruments, and it is usually a good suggestion to exploit multiple to get optimum effects. The paintings of uncooked Conversion indicates electronic photographers tips to paintings with the uncooked documents generated by way of a digicam to provide the very best snapshot caliber in complete pictures. The authors (both specialists in electronic images, dossier processing, printing, and colour administration) describe the conversion instruments used to augment uncooked documents and maximize picture caliber. All recommendations coated are in line with functional adventure and defined with step by step directions, in order that readers can be capable of follow what they study and create their very own effective art-quality pictures. Covers Adobe Photoshop CS and different major uncooked converters.

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Extra resources for Art of RAW Conversion: Optimal Image Quality from Photoshop CS2 and Leading RAW Converters

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Also, when 9999 is reached, the camera restarts at 0001. Sequence numbers allow unique file names. If we later work on a file in Photoshop, the result is saved as a master TIFF file. The file name will keep its original “300d_nnnn_mmm” file name, and can be appended with more descriptive text: An example: r r Original: 300d_0001_1256 Derived: 300d_0001_1256_Los_Gatos_Bear_Cafe In doing this, every file is linked by its original file name to the RAW file in the archives. 2: Camera to computer: Enter the digital darkroom As described above, after copying files to a hard disk, files are renamed to ensure their names will be unique.

In this case, the monitor simulates the white color of the paper. to achieve a certain luminance (brightness of your monitor’s white) that has proven to be good for color work. Also, you set a white point conforming to an industry standard, such as D50 or D65 (color temperatures of 5,000 or 6,500 Kelvin respectively). The white point of your monitor is a mix of R, G and B that will represent white. r Characterization. When characterizing a device, a target is Chapter 2: Basic color management 2-16 recorded by the input device, or sent to an output device.

We use and recommend GretagMacbeth Eye-One Display 2 and the Sony Artisan monitor (which provides an integrated solution with a monitor and a special measuring device). The entire calibration and profiling process will take you about 10 minutes. Once a good calibration is achieved, the next calibration will be much faster. Calibration settings As there are several options when calibrating and profiling a monitor you have to decide which settings to use when starting your calibration. 8 is tradition.

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