By Rob Sheppard
Professional photographer Rob Sheppard explains the main points of digicam uncooked, the stairs for utilizing it, the workflow procedure, and sure top practices that demonstrates how digicam uncooked can empower the electronic photographer. Encouraging you to take advantage of it as you notice healthy, he explores the improvements within the most recent iteration and is helping you take care of RAW's obstacles, deal with white stability and publicity, lessen noise (especially in evening shots,) and learn how to use digicam settings that utilize uncooked features.
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Additional resources for Adobe Camera Raw for Digital Photographers Only
I Problems with 8-bit occur if you have to stretch it a bit in processing as is the case in figure 1-10. There is very little stretch room because as you stretch data, you lose steps of color and tonal information, resulting in problems with gradations of brightness and colors. If your exposure is off or there are contrast issues in the image, you quickly run out of tonalities with which to adjust. In addition, the color of 16-bit expands the working range of colors and tones exponentially. You can do a lot of heavy-duty adjusting without the image suffering.
Adobe’s engineers thought a lot about creating a consistent RAW format that can be used by all camera manufacturers and can be archived by photographers without fear that they cannot access it in the future, as seen in the Save Options dialog box in Camera RAW shown in figure 1-12. They even included flexibility in this format to allow camera manufacturers to add their own unique tweaks to it as well. In spite of DNG’s potential to reduce confusion and make it easier for the average photographer to work with RAW now and in the future, camera manufacturers are not showing much interest in this format.
O I have used multiple camera types from several manufacturers to take photos and find their RAW formats all equally good. Hard-core marketing folks will tell you this isn’t true and that significant differences exist that are worth worrying about. 1 What are RAW Files Really About? Not really. Yes, there are differences, but image quality is high among all of these competing variations of RAW. I challenge anyone to show me or anyone else a photograph where you can see differences that significantly affect the photographer’s results.